Archive for August, 2007

Playing with Color

Thursday, August 30th, 2007

Dragons eye bead I’ll be making a batch of these dragon’s eye beads this weekend. The basic structure of the bead is pretty simple – a sculpted eye outline with an indented area for the eye. The indented area gets filled with multiple thin layers of deep color (tinted liquid clay).

The fun part is choosing the colors. What color are the dragon’s scales? Is it a fierce dragon or even a t-rex (black or maybe red), or a gentle dragon (greens and blues). What will I use for the colors of the eye itself? Using several colors which shade into each other gives the eye much more depth and interest but it means no eye will ever be the same. So many choices – but these are the fun ones…

I love these eyes but they’re not for everyone. Some people find them too freaky :) But most people really like them.

Justbeads

Sunday, August 26th, 2007

polymer clay fox bead I’ve got a couple things up on JustBeads this week if you’d like to take a look. There’s a treefrog, a faux ivory manatee, and this fox silhouette bead.

Leaves

Friday, August 24th, 2007

This was a commision for a fall wedding… They wanted maple leaf jewelry for the brides maids and a bracelet for the flower girl. The leaves needed to be small and delicate, so I used the smallest leaf I’d found for the pendants, then sculpted an even smaller leaf for the earrings. The pendant is about 1 inch long, the leaves on the earrings are half an inch.

childs bracelet
maple leaf jewelry

Web Surfing

Tuesday, August 21st, 2007

I’ve been thinking about redoing my website lately and I’ve been web surfing other artists’ websites. I’ve found plenty of really, gorgeous work but not too many websites that are as elegant as the art they display.

Just a few comments:

Keep it simple! The best websites I’ve seen are clean and elegant, without busy backgrounds, 10 different fonts, or bright screaming colors. They are easy to navigate and don’t make me figure out how to do something new. You shouldn’t notice anything other than the art and how well the site coordinates with it. Your photographs should be bright, crisp and clear.

Flash based sites can be done well but it’s rare. No matter how cute your tree branch movie/menu is, most people aren’t going to wait around too long for it to load. And it’s not a good idea to hide the navigation buttons – it may be clever but it can also be frustrating.

And whatever you do, do NOT have music playing when automatically on your webpage. People may not like the same music you do, or they may be surfing during lunch, or just enjoying some quiet time. Unexpected music can be jarring.

It’s also a good idea to answer some simple questions. Who are you, what do you do, what is this polymer clay stuff anyway :) If you have work for sale, mark it clearly and explain how I can order it. And remember to list the dimensions and materials. I was on one site where I finally found a brief mention in the About the Artist page that the reliefs I liked were cold cast bronze. I was afraid they were plaster (much more fragile). Your visitors usually aren’t going to bother to search for answers – they’ll just go somewhere else.

Now it’s time for me to take my own advice because I know I’m breaking a few of these rules…

I’ll just leave you with a few examples of sites I did like:

http://www.graingermckoy.com/ – Love this one though I’m not usually a fan of splash pages (front page where it only says Enter Here). The work and photogrpahy is incredible and the site coordinates with it wonderfully.

http://bartwalker.com/ – I like the soft colors and how well they coordinated with the paintings. The site is simple to use and it’s very clear where to find things.

http://www.relishinc.com/ - I think I like muted, coordinating colors (*Note to self for redesign*). This isn’t a ground-breaking site, but it’s clean, and clear and there are good photos in the shopping cart. Nice job.

http://www.robertbateman.ca/ – I love this site, and it’s not because of the site itself, although it’s so simple it’s almost minimalist. I love the paintings – and the site is all about the art. The only thing I don’t care for is that the art is organized by exhibitions.

http://rosettasculpture.com/ – Another one I really like although I freely admit I’m biased because I love the sculpture. But that’s how it should be.

Annual Bead Bazaar

Sunday, August 19th, 2007

The Connecticut Bead Society is holding their annual Bead Bazaar on September 15th and 16th. It will be from 10AM-5PM at the Holiday Inn, 201 WASHINGTON AVE. (RT 5) in North Haven, CT.

If you’re in the area, drop by. I’ll be there Saturday and some of my beads will be at the Southern Connecticut Polymer Clay Guild’s table. You’ll also get to see beautiful work from the other artists in our guild. It’s a nice show and for the first time they’ll also be doing classes, including one by the guild’s own Diane Villano. Go to the Bead Society’s page if you’re interested in registering.

It’s funny, but I tend to be inspired by deadlines. I haven’t been making much lately but I’ve created a number of new designs for the bazaar. The latest class I took was on sculpting relief and I used some of what I learned to sculpt a horse and fox. They are smaller with more detail than I’ve done before. I think I want to make a couple others too and fortunately I have a few weeks before the final deadline for beads.

It’s easy to come up with ideas. It’s fun, if challenging, to sculpt small animals but it’s always hard to deal with the practicalities afterward.

How exactly is this barn swallow going to become a bead or pendant anyway? How should it be hung? Should it have a backing? I want it to still look delicate so I don’t want to make it too thick – but it has to be thick enough so that the wings and tail don’t break. This year I used wire in most of my pieces instead of putting a hole all the way through. A simple loop of gold-filled or sterling wire allows the piece to be hung as a pendant without being thick and unwieldy.

What sort of finish should I use? Faux ivory, bronze, irridescent mica powders? There are so many choices it can sometimes be paralyzing instead of freeing. But when I have a deadline, and a purpose, I don’t procrastinate as much. I make a bronze and an ivory version. I cover that finish that I really didn’t care for with embossing powder to make it look ancient. I touch up some beads from last year because I realize that they really don’t have enough contrast to see the detail from a few feet away.

Somehow the pressure makes me relax and allows me to play again. Which is a good thing. Because I think I want to make some wild and wacky lizards and maybe a snake or two. And if I get time I might make some more dragon’s eyes. And I want to sculpt a gazelle or maybe a cheetah… Or make a little raccoon looking out from a hole in a hollow tree….

Kaleidoscopes at the Fair

Monday, August 13th, 2007

I came across this article on kaleidoscopes at a local fair.

It’s a great experience to share your art with the public, especially kids. I’ve done a couple workshops at my local library – one on kaleidoscopes, and everybody loved it.

Colorful character

Nobody among the dozens of exhibitors at the fair enjoyed opening day more than Will Smith, 52, of Sacramento, also known as Captain Kaleidoscope.

He brought to the fair his exhibit of huge cylindrical mirrors that produced an ancient form of light show for kids and parents alike. People swarmed the kaleidoscope exhibit.

“It’s so much fun for people, a big change in this electronic age,” said Smith. “Just about everyone is fascinated by it.”

“It’s their favorite exhibit,” said Rick Thompson, 55, a retired machinist from Battle Ground. He was talking about his granddaughters, Sidney, 9, and Lauren, 5, who peered into kaleidoscopes and grinned.

“It’s so cool,” said Sidney.

Smith explained that the 1,000-square-foot exhibit that he and his wife, Cheryl, created is an outgrowth of their 20-year-old business. They spend most of their time creating art kaleidoscopes that art galleries sell for hundreds and even thousands of dollars. Smith said he sells to about 50 galleries in the United States. His work can be seen at www.kaleidowave.com.

His upscale models are built of wood and each is unique. For example, his Hawaiian model is a seven-point image encased in plantation-grown Koa wood. Beach glass and semiprecious stones are displayed.

Smith said he is among about 200 artists in the world who make kaleidoscopes for a living. Many of the artists are members of the The Brewster Kaleidoscope Society, an international organization. Their Web site is www.brewstersociety.com.

The Smiths are working to franchise their business, so one day there could be Captain Kaleidoscopes around the country.

“The public’s reaction has been phenomenal,” said Smith. “Children’s eyes light up with the discovery, and the senior crowd reminisces over memories of their favorite childhood toy.”

At the fair, Smith was showing his wares and also selling souvenir kaleidoscopes and kits so kids can make their own.

“We do a lot of science museums and assemblies at schools,” he said. The Smiths do only do a few fairs each year, he said.

“Primarily, it’s our high-end art that we do,” he said.

The Artist within…

Wednesday, August 8th, 2007

My mother lent me a good book called “Coaching the Artist Within: Advice for Writers, Actors, Visual Artists and Musicians from America’s Foremost Creativity Coach” by Eric Maisel.

It hit a few chords. It’s about developing your creative life – whatever that may mean to you – and learning to honestly, objectively look at any issues that may get in your way and work through them. And that may include being tough with yourself and not letting yourself get away with excuses because you’re afraid to do something. It mentioned that most people never take the risks to achieve their dreams. They may have some secret, unrealistic dream buried in their hearts, but they make the safe, sensible choices and never even acknowledge them.

Even if you never quite reach the star you were aiming for, you’ll get alot closer looking up and flapping your artistic wings, than by pretending the star doesn’t exist.

Declining sight doesn’t stop her

Sunday, August 5th, 2007

Quick little article about artist Judy Summer who didn’t let her declining sight make her give up art.

She can’t solder or do detailed jewelry work anymore. Yet still she works, crafting horses like grass-green “Springtime” and dawn-red “Sunrise” out of polymer clay. They stood proudly Saturday at her booth at the Park City Kimball Arts Festival.

“I can’t imagine life without making art,” said Summer, a petite, spirited 71-year-old.

I checked out her website and she makes these really great free flowing horses.