Archive for July, 2006

Why?

Monday, July 31st, 2006

I read something today by Luann Udell about determining the “Why” of your art, and it started me thinking. Why do I sculpt animals, and not people?

The practical, surface reason is that I’m not very good at sculpting people. The few I’ve tried looked rather like aliens. But the first couple animals I sculpted were rather crude too… And I kept trying. I’m drawn to create animals and the natural world, and even though I keep telling myself I should take the time and practice making faces, I haven’t done it yet. I’m not drawn to faces, or at least not now.

Animals are innocent, uncomplicated, free, and beautiful. People can be. But they can also be layered with t00 many motivations, too many demands, they can be judgmental, malicious, petty… I like people – at least in small doses – and maybe someday I’ll take the time to sculpt the good in them but not now.

Now I want to sculpt the clean, blubbery, Mona Lisa smile of a beluga whale.

Beluga Contact

Monday, July 31st, 2006

If you ever have the chance to do an animal contact program, do it! At least if it’s as well done as the Beluga Contact at the Mystic Aquarium in Connecticut.

My husband bought me a gift certificate for the program as an anniversary present. We went down this Sunday to get another for him since we thought it would be more fun to do together.

The Beluga’s are absolutely beautiful and they have the greatest expressions. We were dressed in waders and got to climb into the tank and spend some up-close time with the largest whale, Inuk.

I learned all sorts of things that I never knew about Beluga whales and best of all, we got to touch him :) We rubbed his stomach and back and got to feel his tail. We saw him inhale a fish from 6 inches in front of him and felt the suction which is stronger than a vacuum cleaner. We each got to give him a hand signal for a vocalization, and we patted his tongue. It was absolutely amazing to be so close and interact with such a beautiful animal.

And to top it off, we all chose to see the above water demo of a whale spitting water. In the wild the whale would spit at the ocean floor to expose lobsters and shellfish. But here, we scooped a small amount of water into his mouth as the signal for him to shoot a gallon of water into our faces. :) We were beaming the whole time.

Clay ConneCTion

Tuesday, July 18th, 2006

I spent this past weekend up near New Haven, CT attending Clay ConneCTion 2006. It’s a weekend jam packed full of demos, challenges, and more and more clay. We had about 70 attendees this year and lots of great demos (I was the demo coordinator this year).

I learned a cool way of reducing canes this year from Jana Roberts Benson which is guaranteed to take out your aggressions. There were demos on micashift, printing with clay, silk screening, photo polymer texture plates, caning, etc, etc.

It was a really great time and I had a blast. I met lots of other polymer clay addicts and saw some wonderful work. I even made a tiny kaleidoscope for the Bottles of Hope Challenge which got an award for Best Use of Internal Space.

But I should have taken off a couple extra days afterwards. I’m exhausted!

Stowe Kaleidoscope Festival

Monday, July 17th, 2006

The weekend of July 8th I went to the Stowe, Vermont Kaleidoscope Festival. The delay in posting about it was because I was at a fun but exhausting polymer clay retreat this weekend and only had a few days between the two events to recover and prepare for the next one.

Stowe is an absolutely gorgeous place and well worth a nice relaxing vacation anyway. The weather was beautiful and we really enjoyed being there – they even drive politely! :) I met Stephen and all the great folks from Stowe Craft. The gallery has some really nice stuff besides the kaleidoscopes. There were some gorgeous glass pieces which made me wish I had a teleidoscope with me to look at them.

The event was on Saturday and Sunday. There had to be a couple hundred scopes set out in the Stowe Design Center, both inside and in a tent outside. I looked through most if not all of them and I do think image is almost everything. There were some scopes with really nice exteriors but rather boring images and I didn’t spend any time on looking through those. I found I really liked the sidelit oil cells with black backgrounds so I’m going to try a couple of those. I saw a few people using polymer clay in their oil cells, and I bought one of the Durettes scopes with a really stunning image made up of pieces of colored coiled wire. I saw some wearable scopes by the Healeys – I’d seen pictures before but never realized how small they actually are. The ring scope with the turning end was adorable :)

I got to meet Scott Cole and Sheryl Koch who were both really, really nice. I got some suggestions from them which would probably have made the whole trip worthwhile alone. I don’t think Scott would mind if I shared one of them which is basically to just practice. He pointed out that people usually only cut and assemble mirrors when they’re actually building a scope and you don’t really develop a good technique until you’ve done it time after time after time. I’ve tried a number of different ways of doing things but my volume isn’t too high so I often get inconsistent results. I think I’m going to use some scraps and just try assembling over and over again until I figure out exactly the best way to make it work for me.

Sheryl was working on making some really nice stained glass wheels throughout Saturday and Scott was teaching people to make pvc scopes. Dave and I both took his class on Sunday where we built a really nice brass scope with a ball-bearing turning end. The workshop was only about 4 hours but it was well worth it. If you ever have a chance to take one of Scott’s classes, I’d highly recommend it. And the ball bearing turning end is soooo smooth.

I brought about 6 of my own scopes to the festival, plus some kit based pocket scopes I had. I didn’t sell anything that weekend but Stowe Crafts did keep one of my oil-globe scopes on consignment. Technically I have a few things to improve on – my mirrors could use some work but they weren’t the worst. I also think I’d have to spend less time on the exteriors of simple tumble scopes so the price could be comparable with other people’s production scopes, and save the time and innovation for really distinctive, ‘Wow’ one of a kind scopes with great images. I’d probably also have to include a light with polarized scopes because they really don’t show to advantage in a dim environment.

More Polymer Clay News

Thursday, July 6th, 2006

More articles on Polymer Clay art and artists…

Article on Michelle Davis Petelinz and her Arican tribal inspired shadowboxes:

New dimension: Petelinz was surprised that she became drawn to sculptural objects. “In school I always felt my two-dimensional sense was good, but my three-dimensional was awful.” She learned she was mistaken when she took a polymer clay course in the mid-1980s and really loved the process of making tiny sculptures to wear as jewelry. “It was the first thing I did as a business. I was wearing a piece I made and a woman said, ‘Where did you find that necklace?’ She then ordered five for relatives. And when Petelinz delivered them to her during a party, partygoers became customers.”

Article on dollmaker Nita Keeler:

“Not long after I started, polymer clay came out of Germany,” Keeler said. “I thought I had died and went to heaven.”
Studier, more durable and colored, the polymer clay allowed Keeler to create some of the images she envisioned in her head.
Saying she would “explode” if she didn’t get the ideas out of her mind, she’ll often sculpt and bake five or six heads at one time, then muse over their faces. She said for her, starting with the head is crucial.
“If they’re not looking at me and smiling, it’s just a blank image,” Keeler said. “I always do the face first. Sometimes, I’ll give them a hat or certain other characteristics that will effect the doll.”

Article on photographer June Hunter who transforms her images and transfers them to clay pendents:

Twenty centimeters… Ten centimetres… Hunter’s initially Brobdingnagian prints were slowly shrinking to Lilliputian proportions. “I thought if I could find a tiny tile, I could make a necklace,” she says, and, with a silver-making course under her belt, launched into jewellery-making late last summer, transferring the miniature images onto polymer clay, signing the reverse, and hanging the pendant from a thin black-leather thong fastened with a sterling-silver toggle. Since then, liking its slight translucency, she has started to work with precut squares of white shell as an alternative medium and recently added white agate beads to her materials. Her workspace is a movable feast. If she’ll be using chemicals, she heads for the large shed in the garden; if technology, her computer and scanner are in the basement. Often, she assembles pieces in the living room “so I can watch Prison Break out of the corner of my eye.”

New Scopes and Update

Thursday, July 6th, 2006

Sorry it’s been awhile since I last blogged. I’ve been having intermittant vision problems – finally found out it’s probably migraines with aura – and was mostly staying off the computer at home.

Soo… to catch up. I haven’t put any new scopes up on the site yet but you can see a few new and reworked ones here in the May album if you have a Yahoo login: http://pg.photos.yahoo.com/skygrazer1
Otherwise click on the filenames in this directory: http://www.skygrazer.com/pics/may06scopes/

I’ll be taking those scopes and a couple others up to the Kaleidoscope Festival in Vermont. Dave and I will be taking a class from Scott Cole while we’re there. Should be loads of fun (at least for me, and Dave is being a REALLY good sport) and I’m really looking forward to it. And we’re being really decadent and renting a convertible for the drive up :)